DETAIL :: The Eyes of the Cat

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Chip Bunnell Photography of Event Portraits and Automobiles

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Jaguar has long been a brand associated with luxury, style and performance. Innovative designs are wrapped in a body of long, flowing lines that allow you to longingly gaze upon them for hours. One of my South Florida favorite past times is visiting the numerous auto shows and auctions that come to town. I immediately and unconsciously find myself gravitating to the rows of open-top roadsters. The sun above and wind in what’s left of my hair complete the driving experience. While I have yet to pull out my checkbook and bring one of these magnificent machines to my garage, it is a joy to dream and admire in person what others only see on the pages of magazines. Of all the Jaguars produced, one of my favorites is the XK140.

Produced from 1954 – 1957, the XK140 was a significant improvement over the previous XK120. More power under the bonnet (hood for those of us on this side of the “pond”) meant its performance was just as good as its looks. A little more room leg room added to the comfort. The 1956 model introduced an optional automatic transmission, a first for Jaguar. One small, but important visual distinction between this and the previously similar model is an emblem on the “boot” (trunk) that said “Winner Le Mans 1951 – 3” to celebrate the historic victories.

While I believe the entire car is a work of art, there are many individual details that truly set it apart. In this image, I used a shallow depth of field to give the left headlight a visual punch and allow the rest of the car to fade into the palm trees lined background. In photography, the eyes are the focus and there is no exception with this stunning cat.

Single Frame, Processed in LR, PS and Topaz Clarity

www.ChipBunnell.com

LOCATION :: Pritzker by Night

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Chip Bunnell Photography Destination Architectural Florida

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My recent trip to the Midwest allowed me a day in one of my favorite cities – Chicago. The rich history of architecture seems to cover every street in a virtual competition to decide which structure will have the greatest visual impact. Buildings from well over a 100 years ago play on the same corner as their much younger siblings. A central location of gathering and community enjoyment is Millennium Park. On the vast acreage is located the centerpiece and work of modern art, the Jay Pritzker Pavilion.

Designed by Frank Gehry, his plans for this ultra-modern orchestral center were unveiled in November, 1999. The Pritzker family, for whom it is named, donated $15M towards the project. Unique curving stainless steel plates frame the stage opening. 4,000 fixed seats are positioned for a clear field of view. Large curving beams fly high overhead the lawn to support lights and a speaker system for the up to 7,000 additional attendees below. This open air venue is a wonderful destination to enjoy your favorite music under the warm summer sun or a clear starry night. While we enjoy this structure today, it was not without challenges to build. Most notably, a local historical zoning law forced the city to appropriately consider the structure art, rather than a building. Given its appearance, this seems be an accurate classification.

To me, the challenge when photographing such an iconic structure is to find a slightly different way to portray the mood. I tried to capture the sweeping feel of the high arches by positioning the camera slightly off axis. The exposure was slightly dark to negate the sky and bring the pavilion out as the main subject. The colorful lights in the background buildings add interest without removing focus. Seemingly tiny chairs on the stage add to the perspective of its truly massive size. My timing was fortunate as I was able to make this image just minutes before they closed the stage doors for the night.

Single Frame, Processed in LR and Topaz Clarity

www.ChipBunnell.com